This matched pair of Royer R-10 Hot Rod 25th Anniversary Limited-Edition Studio/Live Ribbon Microphones is designed to deliver smooth, full-range frequency reproduction and high SPL handling for musicians, recording engineers, and live sound mixers in home studios, recording facilities, and live stage applications. To celebrate this passive ribbon mic's 25th anniversary, this limited-edition version features a custom transformer that delivers an additional 5 dB of output gain over the standard version, providing a punchier feel with an increased low-midrange focus. Handbuilt in California, the mic features a high maximum SPL of 135 dB at 50 Hz and 160 dB at 1 kHz, and a wide, unhyped frequency response of 30 Hz to 15 kHz. The R-10 utilizes a standard XLR 3-pin output and does not require phantom power.
The microphone's figure-8 polar pattern allows pickup of sounds from the front and back of the mic, while maximizing sound rejection from both sides. This provides a directional focus in front of the microphone and allows room reflections behind the mic to be captured. The 2.5-micron aluminum ribbon element is protected from vibrations via an internal shockmount. A three-layer windscreen system tames plosives, strong bursts of air, and proximity-induced bass buildup. The wiring of the ribbon results in humbucking, which aids in preventing noise produced through electromagnetic interference. This pair of R-10 mics includes two microphone holders, two mic socks, and two carrying cases.
25th Anniversary Hot Rod Limited Edition Custom transformer with +5 dB more output gain than traditional R-10
Delivers a punchier sonic profile with more pronounced lower midrange focus Black-accented trim for distinctive appearance
Figure-8 polar pattern picks up sound from the front and back of the mic and rejects sounds from the sides
High maximum SPL of 160 dB allows use on loud sources
2.5-micron aluminum ribbon constructed with Royer's patented direct-corrugation process
30 Hz to 15 kHz frequency response for full range without harsh high frequencies
Built-in windscreen system utilizes three layers to protect against air blasts and plosives and reduces proximity effect
Internal shockmount isolates the ribbon from vibration and increases its durability
Open grille design reduces standing waves and comb-filtering effects
Custom-designed transformer minimizes saturation even at high SPLs
Wired for humbucking to reject electromagnetically induced noise
Includes microphone holder, mic sock, and carrying case X 2
Handbuilt in Burbank, California
Recommended Applications
Close miking in the studio and on live stages
Electric and acoustic guitars
Drum overheads, kick drum (see manual for position), room miking