MIDAS DL16 | 16 Input, 8 Output Stage Box W/16 Midas Microphone Preamplifiers

DL16

16 Input, 8 Output Stage Box W/16 Midas Microphone Preamplifiers

Add additional I/O to your digital mixing setup with the MIDAS DL16, a digital I/O stage box with 16 remote-controlled Midas PRO preamplifiers as well as eight servo-balanced analog XLR outputs.

An integrated 4-port Ultranet distribution hub is included for direct connection to the Behringer's P16-M personal monitor mixers without the need for any additional hardware. For easy setup and signal routing verification, a headphones jack is conveniently located on the front of the DL16, giving you the option of listening directly to any of the 16 inputs. The DL16 ships in a 2 RU enclosure and includes a standard IEC power cord.

• 16 award-winning Midas PRO microphone preamplifiers with switchable 48V phantom power
• 8 electronically balanced low-impedance, line-level outputs
• ULTRANET personal monitoring system connectivity for in-ear applications
• Digital audio and control connectivity for Turbosound speaker systems with ULTRANET networking capability
• Dual AES50 SuperMAC ports for cascading additional DL16 stageboxes—no merger or router required
• Dual ADAT outputs, providing 16-channel digital output on two optical TOSLINK connectors
• Remote operation via shielded Cat 5e cable up to 328' length
• All settings programmable from front-panel controls or console
• Status indicator LEDs on front panel
• Headphones output assignable to any of the inputs or outputs for on-stage monitoring
• MIDI In/Out for bidirectional communication between Midas M32 Series console and on-stage MIDI devices
• Features Neutrik etherCON AES50 and ULTRANET network ports
• Rugged 2 RU rackmount chassis for durability in portable applications
• Auto-ranging universal switch-mode power supply

ULTRANET Seamless Integration

The world-renowned engineers at Klark Teknik, Midas, Turbosound, and Behringer have all come together to create something truly innovative that will change live and studio workflow forever—ULTRANET. This revolutionary technology seamlessly transmits up to 16 independent channels of 24-bit digital audio and control data via a single Cat 5 cable between compatible digital devices, including mixers, I/O stage boxes, powered loudspeakers, and personal monitoring systems. Advantages realized through ULTRANET digital networking, versus traditional analog methods: audio signals are impervious to Radio Frequency Interference (RFI); signal crosstalk is eliminated; and ease of setup translates directly into significant time saved during installation. ULTRANET effectuates a powerful digital eco-system that gives you unparalleled control over every element of your audio production environment from one convenient location.

ADAT-Ready

The DL16's onboard ADAT Outputs enable splitting the high-quality Midas Pro Series preamp signals to outboard devices, including recording systems. When more channels are required, these optical sockets can alternately be used to connect ADAT-equipped D/A converters (such as the Behringer ADA8200) for up to 16 additional analog outputs.

Dual AES50 Ports for Massive Connectivity

Connecting over a single shielded (STP) Cat 5 cable, up to three DL16s can be daisy-chained to deliver 48 channels in and 24 out to the stage. Klark Teknik’s AES50 simultaneously provides high channel counts, extremely low and deterministic latencies, accurate phase-aligned networked clock distribution, error detection, network redundancy, with simple deployment and ease of use to meet the needs of the live performance industry. This unique combination also benefits both live and studio recording applications as well as postproduction, broadcasting, and audio routing infrastructure.

• 48 bidirectional audio channels at 48 kHz over Neutrik etherCON-terminated shielded (STP) Cat 5 cable
• Single cable duplex interconnection for audio and sample clocks
• Ethernet physical layer audio data transmission
• High channel count and ultralow deterministic latency (2x3 samples = 1⁄8 ms per node)
• Accurate phase-aligned clock distribution
• Comprehensive error detection and management
• Provision for redundant networking—Minimal configuration—total ease of deployment and use Ethernet TCP/IP protocol-compatible auxiliary data channel
• Royalty-free implementations available as Xilinx FPGA cores
• OEM modules available from developer partners

Remotely Controllable Preamps Make for EZ Setup

DL16's ingenious monitoring/head amp control section allows you to select any of the 16 inputs, 8 bus outputs or P-16 output streams for immediate line checks. In addition to signal metering at the stage box, you can also set individual input channel Gain, apply +48 V phantom power, listen directly to the input signal via headphones, and much more. Once set, all configuration settings can be locked at the console for total system security.

Assignable Headphone Output for On-Stage Monitoring

For easy setup and signal routing verification, a headphones jack is conveniently located on the front of the DL16, giving you the option of listening directly to any of the 16 inputs. Simply select the signal you need to monitor by scrolling through the 16 channels whilst adjusting the gain and selecting the operating mode, all via a single robust rotary control.

MIDI In/Out

Using scene automation has never been simpler or more convenient. The automation scenes allow MIDI events to be incorporated, so that external MIDI-compatible devices can be controlled as part of a scene change via your console's MIDI output. Additionally, console events can be triggered from an external MIDI source via your console's MIDI input. You can also control the gain and phantom power settings remotely using the MIDI communication functionality.

Specifications

• Compatibility
  • Midas M-Series
• USB I/O
  • 1 x USB-B Female Input
• Audio I/O
  • 16x XLR 3-Pin Line/Mic Input
  • 8x XLR 3-Pin Line Output
  • 1x 1/4" TRS Headphone Output
• Process
  • A/D Converters (8-channel, 24-Bit at 44.1 / 48 kHz): 114 dB
  • Dynamic Range (A-Weighted)
  • D/A Converters (Stereo, 24-Bit at 44.1 / 48 kHz) 120 dB Dynamic Range (A-Weighted)
  • Networked I/O Latency (Stagebox In > Console Processing > Stagebox Out): 1.1 ms
• Digital I/O
  • AES50 Ports, SuperMAC: 2
  • P-16 Connector, ULTRANET (No Power Supplied): 1
  • MIDI I/O: 2 x 5-Pin DIN (Input / Output)
  • ADAT TOSLINK Output (2x8 Channel): 2
• Microphone Input
  • THD + Noise, at Unity Gain, 0 dBu Out: <0.01% Unweighted
  • THD + Noise, at +40 dB Gain, 0 dBu Out: <0.03% Unweighted
  • Input Impedance XLR, (Unbalanced / Balanced): 10 Kilohms / 10 Kilohms
  • Non Clip Maximum Input Level, XLR: +23 dBu
  • Phantom Power, Switchable per Input: 48 V
  • Equivalent Input Noise at +40 dB Gain, (150R Source): -125 dBu (22 Hz to 22 kHz Unweighted)
  • CMRR, XLR, at Unity Gain (Typical) > 70 dB
  • CMRR, XLR, at 40 dB Gain (Typical) > 90 dB
• Frequency Response at 48 kHz Sample Rate
  • 20 Hz to 20 kHz (0 to -1 dB)
• Dynamic Range, Analog In to Analog Out
  • 107 dB (22 Hz to 22 kHz Unweighted)
• A/D Dynamic Range, Preamp, and Converter (Typical)
  • 109 dB (22 Hz to 22 kHz Unweighted)
• D/A Dynamic Range, Converter, and Output (Typical)
  • 110 dB (22 Hz to 22 kHz Unweighted)
• Cross-Talk Rejection at 1 kHz, Adjacent Channels
  • 100 dB Output Level, XLR, (Nom./Max.): +4 dBu / +21 dBu
• Output Impedance, XLR, (Unbalanced / Balanced)
  • 50 Ohms / 50 Ohms
• Phones Output Impedance / Level
  • 40 Ohms / +21 dBu (Mono)
• Residual Noise Level
  • Out 1-8 XLR, Unity Gain: -86 dBu, (22 Hz to 22 kHz Unweighted)
• Indicators
  • Display: 4-Digit, 7-Segment, LED
  • Front Status LEDs
  • AES50-A, Red/Green
  • AES50-B, Red/Green
  • HA Locked, Red
  • SN Master, Green
  • Splitter, Orange
  • Out +16, Orange
  • Out +8, Orange
  • Meter: Sig, -30, -18, -12, -9, -6, -3 dB, Clip
  • Rear Panel: Splitter Mode, Orange
• AC Input Power
  • 100 to 240 VAC, 50 / 60 Hz
• Power Consumption
  • 45 W
• Dimensions
  • 19 x 8.9 x 3.5" / 48.3 x 22.6 x 8.9 cm
• Weight
  • 10.4 lb / 4.7 kg